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Seville 
Brotherhoods 

The founding of the first brotherhoods goes back to the second half of the 16th century. In the city there was a group of Genoeses who, because of their devotion to the Passion of Christ, on Holy Thursday night they used to parade and go to five or six churches shedding blood and tears, filling all those who looked on with piety. Following the example of this group, they began forming various diverse religious corporations, for example the "Silence".

In the second half of the century, there existed already 35 brotherhoods in Seville, 30 in the city and five in Triana. At the end of the century there were thirty-three, the majority of them known as a guild. They had a common cause which was the cult of the mysteries of Passion of the Lord Saviour and to repent during the days of Holy Week. They began by escorting paintings with passages from the Passion of Christ and later on images of Jesus and the Virgin on floats. After that sculptures alluding to the Passion of Christ appeared.

In all the processions appeared common insignia, like a large cross, a banner with the initials <<S.P.Q.R.>> (Senatus Populusque Romanus), a flag, horns or trumpets, baskets for collecting wax, and poles showing the position of each brother. Also there were the individual insignia for each brotherhood, like banners.

The brotherhoods made women accompany them with candles and black scarves. Nevertheless, the main body was made up of penitents who wore tunics tied at the waist with rope and covered their heads with hoods or a long wig to hide their identity while repenting.

The number of brotherhoods was growing and abuses were starting such as paying large sums in order to show a large number of brothers (250 were shown in the Soledad del Carmen). The Archbishop Don Rodrigo de Castro in 1586 prohibited the formation of brotherhoods without an ecclesiastic license and without approved by-laws. Years later the Church demanded concrete norms for correcting abuses: The penitent would dress in loose cotton tunics without buttons, those who lashed themselves could not be women nor hired, the procession day would be Wednesday, Thursday and Friday, the stations of the cross would be by day, at certain hours and streets; the brotherhoods would come together at the Cathedral and those from Triana at the Church of Santa Ana.

After these ordinances, the brotherhoods grew with splendor and order. The 18th century was the summit of the great image makers, of dazzling Baroque art and popular mysticism. In this century the "canopy effigy" was introduced and the brotherhoods began to adopt a new insignia: The "Simpecado". The first to carry it was the brotherhood of Silence and little by little others followed suit.

In the 18th century the French invasion and other events made important riches from the brotherhoods fuel to the flames . After the first half of the century they began restoring and a new spirit arises bringing back their glory.

The 20th century is at the summit of a new era for the brotherhoods. In 1912 stations of the cross were created for Monday, Tuesday and later Saturday. All the brotherhoods enter the Cathedral during the regulated days and hours.


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